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Billie Piper的我讨厌Suzie是无情的

“木乃伊将成为一位公主,”苏宗泡菜告诉她的儿子在“我讨厌苏齐”的开放时刻,一个来自共同创造者的新悲惨的新悲惨Billie Piper.和露西普通的乘客到达美国。她在这个国家的美丽,混乱的房子里徘徊,兴奋地晕眩,一个人几乎可以看到她想象的着装,因为它无形地扫过地面。By episode’s end, she’s stalking through the sleepy town in a Cruella De Vil-inspired fur coat (real, but vintage, we’re told), covered in fake blood, on the hunt for a phone charger and delivering a heartfelt soliloquy on how much she hates everything and everyone she sees. The princess dress was invisible. This getup is anything but.

这并不细腻,并不意味着。一个模糊的搞笑,深刻的感觉性格的研究,作为污迹的眼线笔作为黑色,并在上午3点作为一个狂热的狂热,“我讨厌suzie”是一个关于后果的故事。但这也是一个关于“行动所产生后果”的概念如何完全不足的故事。There are consequences to our actions, but there’s also the world in which both exist, a brutal, uncompromising place that’s rarely interested in the territory between ‘princess’ and ‘villainous hag.’ It’s an exhausting place for this series to live, but that exhaustion is intentional; with it comes honesty, ugliness, empathy, ambition, and some very funny, often filthy jokes. It will inevitably find itself measured against “Fleabag,” and it’s easy to see why: both center on a woman who seems to frustrate or infuriate those who do or are meant to love her, and that includes the woman herself; both are refreshingly frank about both sex and grief; both display no trepidation about asking the audience to empathize and be furious with the central figure all at once; most specifically, both use the trappings of narrative and genre to tell the story. But to see the marvelous “I Hate Suzie” as a hopeful “Fleabag” successor, and not its own original, thrillingly vulnerable creation, would be a mistake. Billie Piper isn’tPhoebe Waller-Bridge。她是Billie Piper,她是电动的。

重新派遣吹笛者有“秘密日记”老板巨额,“Suzie”在世界开始围绕标题字符的头部滚动之前开始。当她赢得电视歌唱比赛时,Suzie Pickles(Piper)被射击到Stardom作为少年(认为“英国有才能”);现在都长大了,她将自己识别为一个可怕的妻子,可怕的母亲,“略高于平均水平的女演员”,然后在一个心爱的科幻系列中出演,然后才能搬到一个关于纳粹僵尸的恐怖展示。(Yes, that’s deliberately reflective of Piper’s own career trajectory; no, it is not autobiography.) She’s just begun to celebrate booking an “aging princess” role with Disney when a pack of media people show up to do a glossy magazine photoshoot, and she’s mid-shoot when all their phones begin to buzz: the news that photos of a sexual nature have been hacked from her phone has broken. One is of her with a penis in her mouth, and that penis is very obviously not her husband’s.

要说图像变成了她丈夫COB(Daniel Entings,Expicent)和她的代理/终身最好的朋友Naomi(Leila Farzad,也很优秀)的震撼将是一个轻描淡写的。直接的辐射包括整个“震惊”,几乎无法忍受的紧张飞行员,这感觉有点像有人试图填充最焦虑的诱导位“未切割的宝石“进入”复出“的特别粗糙的一集。遵循的七集也跟踪了这种灾难性入侵隐私的后果,每个都分配了自己的吹笛者和巨额版本的悲伤阶段的普通版本。震惊后来“否认” (Suzie goes to a convention and lies about the photos), then “Fear” (her home address winds up in the paper, which isn’t great for someone with a stalker), then “Shame,” “Bargaining,” “Guilt,” “Anger,” and finally “Acceptance.” Mostly.

在这些阶段发生的事情更为丰富,而且复杂于自负可能表明。所有电报和Georgi银行 - 戴维斯的大规模努力,一个新人坦率地令人惊讶地令人惊讶地令人惊讶地令人惊讶的是这八集中的六届剧集,不行各衡量标准。每一集都是一个周到的,甚至支撑探索其规定的主题,但在没有点的情况下,诉讼程序变得有序;像悲伤和成长一样,它一切都在一起流血,故事本身有机动地移动,没有感到受到创造者为自己建造的结构的限制。(An invisible but nevertheless dazzling feat, that.) As Suzie’s perspective and emotional state shifts, so does the visual language, an often subtle but always marvelous display of cinematic storytelling that incorporates and interrogates one’s preconceived notions about genre, narrative tropes, and agency. (And of布兰妮·斯皮尔斯,为了好的衡量标准。)并非所有它都有工作,但它的大部分都是如此,因为方向是,统一,平等的粗体和思想。“我讨厌Suzie”不会立即火箭银行 - 戴维斯到靠近每个生产者的电话名单的顶部,然后他们都生气了。

这里有更多的赞美。分数非常好,盛大的创造性和令人兴奋,以及以最佳方式编辑无情;该节目对其残疾人角色的方法令人耳目一新地直接直接,并避免所有成本的糖蜜和毛林。但是所有这些碎片和许多人都可能会更少有效,“我讨厌suzie”仍然是不能错过的东西。主赛事是世界一流的表演者的婚姻,这是一个迷人的角色,它在她的共同创意者 - 一个伟大的演员之间具有明显丰富的创造性伙伴关系,另一个伟大的作家。(“Succession” fans will already be well aware of Prebble’s considerable gifts.) Artistic collaboration of this sort can be a frustrating, mercurial process, something Suzie experiences firsthand in “Anger,” but Suzie is a walking illustration of the value of such partnerships. She’s an exposed nerve, an open wound, a bare lightbulb flaring brilliantly off and on. Some people hate Suzie. Suzie certainly does. You won’t.

整个季节筛选审查。

Allison Shoemaker.

Allison Shoemaker是一部位于芝加哥的自由电影和电视评论家。

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