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艾伦诉法

“艾伦诉法”涉及一个七岁的女孩发生了什么,以及她稍后决定谈论它的决定。“它已经带来了很长一段时间来调和你可以爱一个人并害怕他们,”迪伦法罗在一开始,以及敏谱是如何看到她准备谈论我们想要了解更多信息年。但这是她的故事,以及她母亲的故事MIA Farrow.和迪伦的生物和采用兄弟姐妹家庭,没有通过媒体战的过滤器。相反,它是一个彻底的调查和嗜好的观点,收集一名第一人称账户,撤消案件的进化作为不平衡的公众丑闻,教育观众了解虐待的真正经历。这是这种可怕的好莱坞传奇所需要的确切类型的膨胀分析,我敦促这两个相信的人,不相信故事的故事的霸权。

该事件良好地记录和未解决:1992年8月,伍迪·艾伦据称在康涅狄格州康涅狄格州康涅狄格州的康涅狄格州康涅狄格州内部性虐待他的女儿Dylan Farrow。但个人角度较少,鉴于迪伦很少公开发言,直到近年来,艾伦的公众人物作为好莱坞最着名的董事之一已经占据了重点。四部分的文件“艾伦诉法”级别像以前无所畏惧的HBO纪录片一样的播放领域“Leaving Neverland,“ 关于迈克尔杰克逊涉嫌滥用多个孩子;这是慢慢不断发展的公众良知对我们庆祝的创作者的诚实行为的另一种重大补充。它寻求答案,在过程中,它最终诋毁了大量的艾伦的一方,同时给予一个她从未曾经曾经遇到过的平台。

纪录片是针对的Kirby Dick.艾米尊敬,世卫组织在支持受害者的​​情况下取得了重要的职业,同时向公众通知公众有关滥用的具体统计数据。以前的电影就像迪克的“狩猎地面“(关于大学校园的强奸)和Dick&Ziering的”在记录上“(关于髋关节行业的虐待)已经领导了Dick&Ziering到这一点,检查了公共话语中最臭名臭名滥用案件之一。DOCUSERIES(将首发2月22日开始一个第一个发作)是对他们的编辑精神病的证明,以及他们对受害者的相机勇气的忠诚始终有助于我们在某些文化实体中看到更诚实的权力动态。

The first episode alone is damning enough to Allen’s character, establishing a pattern of inappropriate behavior he had with his young daughter Dylan—family friends and Farrow herself recall how he would steal her away from family time, and then there would be strange moments like allegedly seeing him make her suck his thumb while sitting on the front porch steps, or laying in bed with her, with Allen dressed down to his underwear. (“I was always in his clutches,” recalls Dylan. “He was always hunting me.”) Such disturbing ideas are within the framing of an otherwise harmonious home, and the documentary initially communicates this using a personal lens—it’s more about talking head interviews depicting the family life that Mia Farrow and Woody Allen had as girlfriend and boyfriend creating a home with children, many of them adopted by Farrow. In previously unseen home footage, Farrow has never appeared more removed from her chameleon-like screen-presence. Alternately, images of Allen's "intense affection" for Dylan—pictures from family photo albums that have literally cut him out—show Allen in a candid light that has never been more concerning.

In its second half, "Allen v. Farrow" interrogates the culture that believed—or wanted to believe—Allen’s side of the story, while accepting Farrow as a girlfriend and mother scorned after Allen left the relationship to be with Farrow’s adopted daughter Soon-Yi Previn.调查中间出现的监护权战斗,其中艾伦的Vengefly寻求迪伦和儿子书包的监护(现在被称为罗南),是另一个令人讨厌的发展。该系列是最重要的,因为它从一个大章到下一个大章,它的影响来自积累 - 看看同一叙述内的所有这些发展都提供了更丰富的感觉如何偏离公众的正义感的程度,仍然可以。

有一些很尖锐的关于这个纪录片ntary balances the Farrows' personal experience, while reckoning with the public aspect. It knows that many viewers will enter into it with some love for Allen’s films, and provides them with an honest but non-affectionate analysis of what his movies of young and old romance mean while acknowledging the “good art, bad behavior” argument. And its investigation is prepared for the deniers and devil’s advocates, covering many angles—the narrative that Dylan was coached by Mia, or the more recent statement from Farrow sibling Moses that can be disproven with the original court testimony, or the report that initially “cleared” Allen, despite it not having the authority to do so. It is incredibly comprehensive across its four-plus hours without being repetitive, and like previous Dick & Ziering documentaries, it is ready for a fight.

如果您想听到故事的艾伦的一面,请参阅媒体如何在展开时讨论它。但是,虽然艾伦没有出现在纪录片中(他拒绝接受采访的请求),但他在去年听到了他的回忆录什么都没有而且这个系列因素在他与法治,孩子们的关系和他对事件的回忆中的某些章节中的某些章节。艾伦的一个更令人不安的版本在录音的电话录制中出现,他的报复性,单调的声音,同时散发着一个平静的防御性,特别是令人不安和讲述奇观。有明确的操纵模式,而电影估计是他作为公众人物的忠诚度,很清楚如何交替播放观众并控制离他最近的人。对于我们的自恋和他的浪漫,半自传电影之间的所有点来看,我们都知道,它确认我们无法声称他的行为。他的职业生涯教导了我们认为他是一个相对较小的人,但这纪录片从他所展示的世界退回,展示了他可以选择成为精英明星的巨大和无耻。

“Allen v。Farrow”用Farrows'的侧面称之为所有这些,描绘了一个更普遍的故事,为无数家庭故事与滥用情节。他们的是以自己的方式与它来说是一个传奇。尽管她对孩子们致力于奉献,但艾伦成功地思考了更多的MIA,而艾伦成功地涂抹着她的可信度;要了解自由兄弟姐妹如何在使用无线电沉默时处理它。That Dylan’s brother Ronan would go from not wanting to ask her about it for years, and then to publicly supporting his sister, and then countless others with his own explosive investigative journalism, is a beautiful example of the vital support that can come from being a listener. The series' footage of Dylan in modern times, detailing her thoughts as a young girl and then teenager coming to terms with an event she knows to be 100% true, exemplifies the power in someone finally being heard.

在“艾伦诉法”中的每个人都会出现比我们以前所知的更多人类,无论他们是否已经花了相机生活。其中许多成功中,它在让你看到这一点不再作为被庆祝的影视摄影埋葬的好莱坞丑闻,而是作为一个被父亲的选择创伤的美国家庭的痛苦故事,并通过不可思议的勇气举行;透露揭示恐怖或英雄的行动的传奇,始终基于一个人选择如何对待另一个人。尽管有一些关于这一文件的未来头条新闻可能会说,但没有什么特别爆炸的“艾伦诉法,”如此深刻的人性化。

在2月22日星期天在HBO的首演,每周都有一个新的一集。

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Nick Allen是Rogerebert.com的助理编辑,是芝加哥电影批评协会的xf187 首页成员。

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